Hidden Treasures of the Collection: "Mehemet Effendi, Ambassadeur Turc, arrive aux Tuileries, 21 mars 1721"

The walls of Staatsburgh’s drawing room are covered with many paintings that are nearly impossible to examine from the tour carpet. Continuing with our “Hidden Treasures of the Collection” series, this essay will take a closer look at the painting seen below, which is on the south wall of the drawing room. The oil on canvas painting depicts Mehmet Effendi, the Turkish Ambassador, and his entourage visiting Paris for the first time to have an audience with King Louis XV. It is one of many objects in the collection that is French or depicts France.

Painting in the style of Charles Parrocel, "Mehmet Effendi, the Turkish Ambassador, Entering the Tuileries to go to his audience with the King, March 21, 1721," Staatsburgh State Historic Site, NYS OPRHP

The Red Fox at Staatsburgh: Martin Van Buren & Morgan Lewis’s Letters

Have you ever read someone’s handwriting that’s just un-readable...looked over a note from a friend or loved one and said, “how do you expect me to read this?!”

We found ourselves in this exact situation while examining three handwritten letters in Staatsburgh’s archives. Unfortunately, we could not ask the sender what they had written, because the sender was the 8^th President of the United States, Martin van Buren (who has been dead for 162 years!). However, the researchers at the Papers of Martin Van Buren Project at Cumberland University were kind enough to stand-in for the President and transcribe his difficult handwriting for us. These three letters reveal a complicated political relationship, but a close personal friendship, between Van Buren and Staatsburgh’s founder, Morgan Lewis. 

Martin Van Buren and Morgan Lewis silhouette portraits by Auguste Edouart, c. 1841.
Courtesy of the National Portrait Gallery.

Is That Napoleon?

That's Napoleon.
(ML.1974.242)

No, that's not Napoleon.

Hanging in Staatsburgh's library, the life-size portrait of Staatsburgh's founder, Morgan Lewis, dressed an early 19th century military uniform, often prompts the question "Is that Napoleon?" 

While Ruth Mills' great-grandfather is not the French emperor, there are certainly reminders of Napoleon Bonaparte throughout the house. Tucked away in the southwest corner of Staatsburgh's library is a leather-bound, four-volume set titled Napoleon Bonaparte: A Life. Sitting upon Mrs. Mills' desk in her boudoir is a small brass sealing wax stamp crowned with a bust of Napoleon Bonaparte. Besides it, there sits a small tortoise box with a cameo of Napoleon Bonaparte. Outside of the guestrooms for unmarried ladies upstairs, hung among the portraits of American presidents such as George Washington and Theodore Roosevelt, hangs a print of Jacques-Louis David's Napoleon Crossing the Alps.

In anticipation of the upcoming Napoleon Bonaparte biopic, Napoleon, starring Joaquin Phoenix as the titular emperor, we wanted to share some of Staatsburgh's own connections to the wider Bonaparte family. For a woman who vied to be Queen of New York Society, Ruth Mills seemed to surround herself with images of French royalty. Yet her and her family's ties to the Bonaparte family went beyond interior decoration. Several generations of Ruth Livingston Mills' family had connections to the famous French imperial family, reaching from the gilded palaces of Paris to the American Wild West.

"Thuggery, Intimidation and General Foul Play": O.L. Mills v. Organized Labor

Who are these men and women picketing? What are they upset about?

Like all great mysteries, it started with a clue. In this case, a photograph.

Giddy Up! - Notes on Staatsburgh's Carriage Collection

Dick Lahey amongst the 
carriages.

 In May 2023, Staatsburgh State Historic Site staff toured our off-site storage facility with local carriage collector, Dick Lahey. 

A board member of the Carriage Association of America and a former educator with decades of expertise in Hudson Valley-made vehicles, Mr. Lahey was able to share with us insights into our unique carriage collection - everything from the Mills' high-end Brewster "Brougham" carriage and farm yard "spring wagons" to elegant bob-sleds for wintertime fun - noting that all of the carriages and sleighs were in outstanding original condition. 

The notes below are taken from our conversation with Dick.

Hidden Treasures of the Collection: Brunswick Panatrope Records

Two months ago, I wrote this post about Staatsburgh's Brunswick Panatrope that is located in the Main Hall.  This music player, which dates to 1927, has one original record inside the player.  Was this disc the last piece of music the family listened to while using the Panatrope?  What else did they listen to?  I always wondered about the rest of their music collection and I am happy to report that I discovered two binders of additional records in storage!  What can these records tell us about the family's musical preferences and the role of music in their lives?

Staatsburgh's Brunswick Panatrope

Hidden Treasures of the Collection: Asian Statues

One of the reasons that we initially created this blog was to have an avenue to highlight some of Staatsburgh's collections that are not always noticeable or highlighted on the tour.  The house has so many collections that it is impossible to cover it all on a tour.  Some objects or paintings are positioned in such a way that is is hard to see them from the tour path.  The "Hidden Treasures of the Collection" blog series provides a closer look at some of the interesting pieces throughout the house. This essay will examine a Chinese and a Japanese figure, which were just two of the many Asian pieces that adorned Staatsburgh.

Chinese Ming-Style figure, c. early 19th century.

Japanese Buddah statue, c.19th century.

Preventative Conservation Workshop 2019: Part III - Moving the Drawing Room Carpets

During June 2019, aspiring conservators from around the country attended a 2 week intensive preventative conservation workshop at Staatsburgh.  This was the fourth year that the workshop was held at Staatsburgh with sponsorship from The  Foundation for the Advancement of Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

Independent Conservator Cathy MacKenzie organized this workshop to occur at Staatsburgh collaborating on its organization with the NYS Bureau of Historic Sites and Parks.  Several conservators participated in the workshop's instruction including Furniture Conservator David Bayne, textile conservator Kirsten Schoonmaker from Syracuse University, objects conservator Valentine Talland formerly of the Isabella Stewart Gardner Museum, paper conservator Lyudmyla Bua of the Center for Jewish History in New York, and furniture conservator Paige Schmidt from the Mariners' Museum in Newport News, VA.

Blog Author, Josephine Ren

Blog Author, Beth Reid

Beth Reid is a museum technician at the Valentine Museum in Richmond, VA where she cleans the 1812 Wickham House and the general collections. She also interns in the conservation lab at the Virginia Department of Historic Resources treating archeological objects. Beth holds a B.F.A. in Painting and Printmaking with minors in Art History, History, Anthropology, and Italian Studies from Virginia Commonwealth University and is completing an A.S. in Chemistry at J. Sargeant Reynolds Community College.  Josephine Ren is from the Greater Los Angeles Area and received a B.A. in Art Conservation with a minor in Art History from Scripps College. She has held pre-program internships at the Brooklyn Museum, the Metropolitan Museum of Art, the American Museum of Natural History, and in private practice. She also studied conservation during a semester abroad at Studio Arts College International, Florence, and has worked in collections at Pomona College Museum of Art and Scripps’ art gallery. Currently she works under private practices, and is interested in objects and painted surfaces.

Preventative Conservation Workshop 2019: Part II - Moving Collections in the Drawing Room

During June 2019, aspiring conservators from around the country attended a 2 week intensive preventative conservation workshop at Staatsburgh.  This was the fourth year that the workshop was held at Staatsburgh with sponsorship from The  Foundation for the Advancement of Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

Independent Conservator Cathy MacKenzie organized this workshop to occur at Staatsburgh collaborating on its organization with the NYS Bureau of Historic Sites and Parks.  Several conservators participated in the workshop's instruction including Furniture Conservator David Bayne, textile conservator Kirsten Schoonmaker from Syracuse University, objects conservator Valentine Talland formerly of the Isabella Stewart Gardner Museum, paper conservator Lyudmyla Bua of the Center for Jewish History in New York, and furniture conservator Paige Schmidt from the Mariners' Museum in Newport News, VA.

Blog Authors, Patti Maxwell and Paige Hilman

This blog post was written by workshop participants Paige Hilman and Patti Maxwell. Paige is a junior at the University of Arizona, studying art history and chemistry with the goal of becoming an art conservator. She currently works for the National Park Service as a Museum Technician at the Western Archeological and Conservation Center and interns at the Center for Creative Photography.  Patti has served for the past two years in the newly-created Head of Housekeeping position at Frank Lloyd Wright’s “Fallingwater” in Southwestern Pennsylvania. She worked many years as a hospitality Housekeeping Manager which has equipped her with a thorough knowledge of the workings of a housekeeping department. This program has furthered her ability to teach her team the importance of proper object handling and preventive conservation and to impart a deep appreciation for the need to maintain national treasures.

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Preventative Conservation Workshop 2019: Part I - Housekeeping in the Historic Library

During June 2019, aspiring conservators from around the country attended a 2 week intensive preventative conservation workshop at Staatsburgh.  This was the fourth year that the workshop was held at Staatsburgh with sponsorship from The Foundation for the Advancement of Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

Independent Conservator Cathy MacKenzie organized this workshop to occur at Staatsburgh collaborating on its organization with the NYS Bureau of Historic Sites.  Several conservators participated in the workshop's instruction including NYS Bureau of Historic Sites Furniture Conservator David Bayne, textile conservator Kirsten Schoonmaker from Syracuse University, objects conservator Valentine Talland formerly of the Isabella Stewart Gardner Museum, paper conservator Lyudmyla Bua of the Center for Jewish History in New York, NY, and furniture conservator Paige Schmidt from the Mariners' Museum in Newport News, VA.

Blog Authors, Olivia Lambert and Monica Stokes

This blog post was written by Olivia Lambert and Monica Stokes who participated in the two week  workshop at Staatsburgh.  Olivia Lambert graduated from the University of California Los Angeles, with a Bachelors of Science in Chemistry. While in Los Angeles, she worked at the Fowler Museum conserving textiles. She also worked in an art gallery in Visalia, California as a docent where she handled the objects and the display of the individual art pieces. Monica Stokes is the former Exhibit and Development Manager at the International Museum of Surgical Science in Chicago, Illinois. While there, she oversaw the care of the surgical instruments and a medical-focused manuscript and rare book collection. She holds a Bachelor of Visual and Critical Studies from The School of the Art Institute of Chicago and currently resides in Traverse City, Michigan.

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Preventative Conservation Workshop 2018: Part II - Gilded Age Fire Suppression

During June 2018, aspiring conservators from around the country attended a 2 week intensive preventative conservation workshop at Staatsburgh.  This was the third year that the workshop was held at Staatsburgh with sponsorship from The Foundation for the American Institute for Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

Independent Conservator Cathy MacKenzie organized this workshop to occur at Staatsburgh collaborating on its organization with NYS Bureau of Historic Sites Furniture Conservator, David Bayne.  Several conservators participated in the workshop's instruction including  Kirsten Schoonmaker from Syracuse University, Valentine Talland formerly of the Isabella Stewart Gardner Museum, and Michelle Cornelison Smith, the Assistant Paper & Book Conservator at SF Art Conservation in Oakland, CA.

Part II in this series was written by Andrew Foster who is currently a Conservation Technician at Maymont Mansion in Richmond, Virginia. Andrew has a B.F.A. in Painting and Printmaking as well as a B.S. in Anthropology from the Virginia Commonweath University. He has previously worked at the Virginia Museum of Fine Art and the Virginia Department of Historic Resources.

Blog Author Andrew Foster moves furniture during the workshop. 

Preventative Conservation Workshop 2018: Part I - Theodore Roosevelt Print

During June 2018, aspiring conservators from around the country attended a 2-week intensive preventative conservation workshop at Staatsburgh.  This was the third year that the workshop was held at Staatsburgh with sponsorship from The Foundation for the American Institute for Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

Independent Conservator Cathy MacKenzie organized this workshop to occur at Staatsburgh collaborating on its organization with NYS Bureau of Historic Sites Furniture Conservator, David Bayne.  Several conservators participated in the workshop's instruction including  Kirsten Schoonmaker from Syracuse University, Valentine Talland formerly of the Isabella Stewart Gardner Museum, and Michelle Cornelison Smith, the Assistant Paper & Book Conservator at SF Art Conservation in Oakland, CA.

Part I in the series was written by one of this year's student participants, Meredith French.  Meredith has a BA in Studio Arts from Bard College and has spent nearly a decade working in screen printing and textile conservation in California.  She currently works in the San Francisco area at Chrysalis Art Conservation, a private conservation firm, where she focuses on textile conservation.

Hidden Treasures of the Collection: Greek Vases

Recently the site was delighted to receive a visit from Vassar Professor of Art History, Eve D'Ambra, who was encouraging her undergraduate students to explore and research works of art in local collections.  The essay below is drawn from a research and observation paper completed by her student, Lily Palaia, Class of 2019, who chose to research the five ancient Greek vases on view in the mansion.  The site thanks Lily for her contribution to our blog!

In Staatsburgh's drawing room, five Greek vases sit on two bureaus on the south side of the room. Ogden Mills purchased these vases in 1909 from Henri De Morgan at an auction in New York City. These five vases feature diverse subject matter, yet are from the height of the classical period, from early 6^th through 4^th century B.C. Three of these objects would be described as “Attic” because they come from the city of Athens or the surrounding area, one from Boeticia and one from Southern Italy.  

A page from the 1909 Henri De Morgan sale catalogue.  Ogden Mills purchased the center amphora.

Hidden Treasures of the Collections: Armoire

One of the reasons that we initially created this blog was to have an avenue to highlight some of Staatsburgh's collections that are not always noticeable or highlighted on the tour.  The house has so many collections that it is impossible to cover it all on a tour.  Some objects or paintings are positioned in such a way that is is hard to see them from the tour path.  The "Hidden Treasures of the Collection" blog series provides a closer look at some of the interesting pieces throughout the house. 

One of the most remarkable pieces of furniture is the 19th century oak armoire in Mrs. Mills' bedroom, which is situated just between her closets.  Even though there are two closets in Mrs. Mills' room, closets were uncommon and most homes like Staatsburgh contained armoires in every bedroom to store clothing.  Read on to learn more about the armoire and the intensive efforts that went into conserving it.

Oak Armoire from Normandy, early 19th century (ML.1974.382)

Preventative Conservation Workshop 2017: Part IV - Cleaning the Passage Room

During June 2017, aspiring conservators from around the country attended a 2 week intensive preventative conservation workshop at Staatsburgh.  This was the second year that the workshop was held at Staatsburgh with sponsorship from The Foundation for the American Institute for Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

NYS Bureau of Historic Sites Furniture Conservator, David Bayne, organized this workshop to occur at Staatsburgh collaborating on its organization with Independent Conservator Cathy MacKenzie.  Several conservators participated in the workshop's instruction including  Kirsten Schoonmaker from the Shelburne Museum, Valentine Talland formerly from the Isabella Stewart Gardner Museum, and Michelle Smith, most recently at the National Library of France.

Blog author Jennifer Mikes

Part III in this series was written by Jennifer Mikes and Stephanie Carrato. Jennifer Mikes is a pre-program art conservation intern.  She holds a Bachelor of Arts degree in biology with a minor in studio art from Franklin & Marshall College.  She has acquired experience in textile, furniture, paintings, and objects conservation from the University of Delaware, Headley Conservation Services, The Pennsylvania Academy of the Fine Arts, and The University of Pennsylvania Museum of Archaeology and Anthropology.

Blog author Stephanie Carrato

Stephanie Carrato is from Monroe Township, New Jersey. She has a BFA from the School of the Art Institute of Chicago (2009). She has worked in conservation for The Buffalo Bill Center of the West, Andrea Pitsch Conservation, and The Philadelphia Museum of Art. Stephanie is currently a conservation technician at the Penn Museum.

Preventative Conservation Workshop 2017 Part III:Clocks of Staatsburgh

During June 2017, aspiring conservators from around the country attended a 2 week intensive preventative conservation workshop at Staatsburgh.  This was the second year that the workshop was held at Staatsburgh with sponsorship from The Foundation for the American Institute for Conservation along with funding from the National Endowment for the Humanities.  The workshop taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

NYS Bureau of Historic Sites Furniture Conservator, David Bayne, organized this workshop to occur at Staatsburgh collaborating on its organization with Independent Conservator Cathy MacKenzie.  Several conservators participated in the workshop's instruction including  Kirsten Schoonmaker from the Shelburne Museum, Valentine Talland formerly from the Isabella Stewart Gardner Museum, and Michelle Smith, most recently at the National Library of France.

Part III in this series was written by Aubrey Skye Quasney, an artist, historian, and aspiring conservator from Pasadena, Maryland. In 2013, she graduated from the Maryland Institute College of Art in Baltimore, Maryland with a Bachelor’s of Fine Arts in Art History and Painting. Since then she has interned at the Walters Art Museum assisting with the curation and conservation of Islamic Arts for the traveling exhibition, Pearls on a String. Currently, she is museum director of the System Source Computer Museum in Hunt Valley, Maryland where she oversees the curating, restoration, and collection management. As an artist, she likes to bring creativity to all that she does, from painting portraits to finding new ways to present artifacts within museum collections. She is passionate about our collective histories and preserving them for the future through restoration, photography, and writing. She continues to work towards becoming a conservator of objects, with a specific interest in clock and watch restoration.

AIC Workshop Participant and Blog Author Aubrey Quasney

François Flameng: Gilded Age Portraitist

Portrait of Ruth Livingston Mills by François Flameng, 1909

After we discovered that the grandiose portrait of Mrs. Mills currently hanging in her boudoir was painted by François Flameng (and not François Glamony...see previous blog), we wanted to learn everything that we could about this French artist and his place in the art world. What kind of artist was he and how did he end up in New York painting scores of wealthy society ladies?

François Flameng in his studio, c. 1880s-1890s (MET Collections 2005.100.1249)

François Flameng's Portrait of Ruth Mills and its Connection to Women's Suffrage

In the previous entry we explored the exciting new discovery of the artist who created Mrs. Mills' large portrait which hangs in the Boudoir. François Flameng, a French portrait artist, painted Ruth in 1909 during one of his many trips to the United States to paint well known ladies of society.  Yet finding the true artist of the painting was not the only discovery that we made.  We also discovered that Ruth's painting was part of an exhibition in February 1913 to raise money for women's suffrage.  Due to a comment made by a family descandant in an oral history interview many years ago, site staff were under the impression that Mrs. Mills did not look favorably upon the idea of votes for women.  Yet, with this new information, perhaps we can change our views on Ruth and what she did or did not support.

In 2017, we are thinking more about women's suffrage because it is the centennial for women's suffrage in New York.  It was still three years until the 19th Amendment, which granted women the right to vote nationally, so New York was ahead of the game.  New York State will be commemorating the centennial in many ways including a new exhibition at the New York State Museum opening in November 2017.  At Staatsburgh, in honor of the centennial, we invited Dr. Susan Goodier , a professor at SUNY Oneonta, to speak at one of our “Gilded Age Tea & Talk” programs, to explore how this momentous issue of the day was viewed by people of Mrs. Mills’ social set.  As the author of a study on the anti-suffrage moment in New York State (No Votes for Women: The New YorkState Anti-Suffrage Movement. Univ of Illinois Press, 2013), Dr. Goodier brings a special expertise to both sides of this contentious early turn-of-the-century issue.  We also are continuing to research the relationship between Ruth Mills and the suffrage movement. This blog explores some of our findings about that relationship.

The Artist that Didn't Exist: François Glamony and the Portrait of Ruth Livingston Mills

One of the most exciting things about studying history is the fact that the past is not static.  Things change and new discoveries are made on a regular basis.  New evidence can be uncovered that disproves the validity of facts that have been taken for granted for years.  It is imperative that historians never stop asking questions.  But how does that relate to Staatsburgh?  Keep reading to learn about our new discovery!

Collections Care Workshop Part IV Putting the Gilt in Gilded Age: Exploring the Techniques of Ormolu, Urushi and Gilding

During June 2016, aspiring conservators from around the country attended a 2 week intensive workshop at Staatsburgh.  "Housekeeping for Conservators", sponsored by The Foundation for the American Institute for Conservation along with funding from the National Endowment for the Humanities taught in-depth methods of caring for many different types of collections. Participants gained insight into artifact conservation and the conditions that cause deterioration. After the workshop, several of the participants wrote blog entries about their experience and a specific aspect of the workshop.

NYS Bureau of Historic Sites Furniture Conservator, David Bayne, organized this workshop to occur at Staatsburgh collaborating on its organization with Independent Conservator Cathy MacKenzie and Kirsten Schoonmaker from the Shelburne Museum.  Several conservation experts also participated in the workshop's instruction including John Childs from the Peabody Essex Museum, Genevieve Bieniosek from the Biltmore, and Catherine Coueignoux London of Oak Street Conservation.

Part IV in this series of blogs is by Fallon Murphy. Fallon is from Redding, Connecticut and graduated from the University of Pennsylvania with a degree in sculpture in 2016. Throughout college, she has worked for several conservators, ranging from paper to sculpture. She recently completed a project on the Capitol Dome Project in Washington D.C. Currently, she is working at Harvard's Peabody Museum of Archaeology and Ethnology as a Conservation Lab Assistant; at Studio TKM on Chinese wallpaper, and for the Cambridge Arts Council studying graffiti removal.

Workshop participant and blog author, Fallon Murphy