Enslaved & In Service II: A New Nation

If you're just joining us, consider going to the Introduction for Enslaved & In Service: here! Missed the last post? Find "Part I: Colonial New York" here.

"What, to the American slave, is your 4th of July? I answer: a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim."

- Frederick Douglass,

"What to the Slave is the Fourth of July?"
(1852)

John Trumbull. Declaration of Independence. 1826. Oil on canvas.
12' x 18'. United States Capitol Rotunda. 
Edited by Arlen Parsa and Zachary Veith to highlight enslavers depicted.
Courtesy of PolitiFact.

            At the conclusion of the War for Independence, Benjamin Rush stated “The American War is over, but this is far from being the case with the American Revolution. On the contrary, nothing but the first act of the great drama is closed.”[i] Benjamin Rush and others expected great social change on the horizon. Indeed the revolutionary rhetoric of the Declaration of Independence – that all men are created equal – had a resounding impact on every aspect of society, especially the growing discussion around enslavement.[ii] The words and actions of the Revolutionary generation demonstrate a paradox between owning humans and espousing life, liberty, and the pursuit of happiness. Of the forty-seven men depicted in John Trumbull's painting, "Declaration of Independence" (above), thirty-four enslaved people. Among those thirty-four men, indicated with red dots over their faces by documentarian Arlen Parsa, are Morgan Lewis' father, Francis Lewis (indicated by a yellow diamond) and his brother-in-law, Robert Livingston (indicated by a blue square). Despite how Benjamin Rush and others saw the American Revolution as a social revolution, the conditions for enslaved Black people in the early republic barely improved.[iii] The same men who declared "all men are created equal" enforced a racial hierarchy that denied basic human rights to Black and other non-White people.

Enslaved & In Service I: Colonial New York

If you're just joining us, consider going to the Introduction for Enslaved & In Service: here! Missed our last post? Find "A New Beginning" here.

"Anyone who calls themselves an explorer is an invader to someone else - someone is always paying for the gilding"

- Alice Proctor, 
The Whole Picture [i]

A slave auction in Dutch New York.
"Slave Auction, 1655" Howard Pyle, 1895.

Sojourner Truth - a contemporary
to Staatsburgh - has introduced slavery
in the Hudson Valley to generations
of Americans.

            Slavery in the Hudson Valley has been an overshadowed aspect of our local history. To better understand Staatsburgh founder Morgan Lewis’ connection to enslavement, it is important to start with how central slavery was to New Yorkers for generations. The entire system of Northern enslavement, from the international slave trade to the local manor houses, operated in parallel with American slavery elsewhere. Yet our contemporary ideas of American slavery fail to acknowledge the scope of bondage in the North. The Hudson Valley offers a window into a world beyond southern plantations to underscore how ubiquitous slavery was for New York colonists and early Republic citizens.[ii] Our collective image of slavery must include people of African descent enslaved in northern states, such as Sojourner Truth and countless others, and not just southern plantations.

Enslaved & In Service: A New Beginning

Plato. William. Belinda. Stephen. Mary. Peter Williams. Dinah.
The recorded names of people enslaved by Morgan Lewis.

Morgan Lewis,
founder of Staatsburgh.

             Former governor Morgan Lewis is traveling home from Albany. His carriage drives down the dirt roads parallel to the merchant ships sailing in the Hudson River. Before long, he and Mrs. Gertrude Livingston Lewis stop along their way to visit her siblings in one of the countless Livingston estates between Albany and Clinton. Lewis soon arrives at his own country seat, “Staatsburgh,” named for the original Dutch land owners. Their carriage drives past the sheep grazing and horse stables nearby, when the magnificent Federal Style brick mansion comes into view. As Morgan Lewis steps out of his carriage, Stephen, his Black enslaved valet dressed in European-style livery, is there to carry his bags. The cook, a Black enslaved woman named Mary, is preparing the Lewis family’s dinner inside. The Black domestic staff have been busy all day preparing the home for their enslaver’s arrival.